I have been working as Principal Ballet Accompanist for over 30 years and I must say that over the years my job has never become boring or routine. This is because everyday, each class is a new creative experience; that ordinary Plié or Tendu changes with every teacher, with every class, and with every student. And this, in turn, inspires different improvisations for the accompanist.
There are sometimes 30 to 40 different improvisations in a class, but it is a great reward to feel the power of your music as all the bodies move to it. The music can make a dancer bend or stretch, do pirouettes, or jump and inspire different choreographies. And we, the musicians, move subconsciously with every dancer because, I'll tell you the secret: inside we are all dancers too. In a sense, every class becomes a small performance (and at the end of it, the students are exhausted and the accompanist is exhausted too). I hope I have now given you a better understanding of what the accompanists at the ballet school do, and why I am so proud to represent my colleagues - all of them unique, with with their own style and experience.
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